Carr, Caleb

The Alienist: A Novel

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

        The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.

        Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.


From the Paperback edition.

The Angel of Darkness

In one of the most critically acclaimed novels of the year, Caleb Carr-- bestselling author of The Alienist--pits Dr. Laszlo Kreizler and his colleagues against a murderer as evil as the darkest night. . . .

The Italian Secretary: A Further Adventure of Sherlock Holmes

Although Sherlock Holmes categorically dismissed, in "The Adventure of the Sussex Vampire," supernatural explanations for corporeal crimes ("This Agency stands flat-footed upon the ground, and there it must remain. ... No ghosts need apply"), one of the most popular among Sir Arthur Conan Doyle's Holmes tales is The Hound of the Baskervilles (1902), in which the fate of a Devonshire family supposedly hangs on the savage appetites of an apparitional beast. More than a century later, in The Italian Secretary, Caleb Carr again presents the hawk-faced consulting detective with a yarn woven of paranormal plot threads, the mystery this time rooted in the fatal 16th-century stabbing of David Rizzio, a music teacher and confidant to Mary, Queen of Scots.

For Holmes and his affable annalist, Dr. John Watson, this spirited escapade begins sometime in the late 19th century with their receipt, in London, of an encrypted telegram from Sherlock's eccentric elder brother, Mycroft, "a senior but anonymous government official." It summons them to Edinburgh, Scotland, where architect Sir Alistair Sinclair and his foreman, Dennis McKay, have been slain in the midst of rehabilitating the medieval west tower of the Royal Palace of Holyrood--the very wing where Queen Mary had lived, and where Rizzio had met his brutal, politically motivated end. Mycroft fears these murders portend new threats against Britain's present monarch--the elderly Queen Victoria, who infrequently lodges at the palace--by a known assassin, perhaps in nefarious league with the German Kaiser. En route north, Holmes and Watson are menaced aboard their train by a red-bearded bomb thrower (supposedly a rabid Scots nationalist), only to discover that still greater dangers await them, and others, at Holyroodhouse. The plaintive drone of a weeping woman, cruelly punctured and shattered corpses, a pool of blood "that never dries," and a disembodied Italian voice with unexpected musical tastes all imply the wrath of wraiths behind recent atrocities. But Holmes and Watson deduce that greed, rather than ghosts, may be to blame.

Carr, who earned renown with his historical mysteries, The Alienist (1994) and The Angel of Darkness (1997), apparently intended The Italian Secretary to be a short story; however, he couldn't stop writing. The result is a fleet-footed, atmospherically gothic, and often amusing Holmes tale (with an exposition scene in Watson's bed chamber that's truly priceless), but one that makes scant attempt to enhance our understanding of Conan Doyle's characters--a less ambitious undertaking, in that respect, than Mitch Cullin's concurrently published A Slight Trick of the Mind. And while Carr displays a gift here for adopting another author's literary techniques, it is really his own style and series players that his fans are waiting to see more of in the future. --J. Kingston Pierce

Killing Time

It's 2023, and the Web has almost destroyed the world. While cyberspace's early pioneers promoted the Net as a revolution in human communication, America has instead become a society of desk-bound introverts who believe everything they read. The federal government has been "bought" by a Microsoft-style corporation. Any semblance of central authority has vanished. As the Net infiltrates India and Pakistan, fevered nationalists and terrorists find one more medium through which to spread the word.

With Killing Time, Caleb Carr (The Alienist, The Angel of Darkness) manages to create a future that's both frightening and nostalgic. The novel's narrator, Dr. Gideon Wolfe, longs for a world before technology swallowed people's minds and imaginations. Through a series of complex misadventures, beginning with the murder of his best friend, Gideon finds himself joining a ragtag army of scientists and inventors who hope to take it back. Heading up this '60s-style revolutionary cell is a brother-sister team--genetically engineered geniuses with silver hair and shining eyes. Aboard their ultramodern ship, Gideon learns the extent of the damage done. When they dive below the surface of the Atlantic, he looks out the window and sees

not an idyllic scene of aquatic wonder such as childhood stories might have led me to expect but rather a horrifying expanse of brown water filled with human and animal waste, all of it endlessly roiled but never cleansed by the steady pulse of the offshore currents.

It's 2023, and the Web has almost destroyed the world. While cyberspace's early pioneers promoted the Net as a revolution in human communication, America has instead become a society of desk-bound introverts who believe everything they read. The federal government has been "bought" by a Microsoft-style corporation. Any semblance of central authority has vanished. As the Net infiltrates India and Pakistan, fevered nationalists and terrorists find one more medium through which to spread the word.With Killing Time, Caleb Carr (The Alienist, The Angel of Darkness) manages to create a future that's both frightening and nostalgic. The novel's narrator, Dr. Gideon Wolfe, longs for a world before technology swallowed people's minds and imaginations. Through a series of complex misadventures, beginning with the murder of his best friend, Gideon finds himself joining a ragtag army of scientists and inventors who hope to take it back. Heading up this '60s-style revolutionary cell is a brother-sister team--genetically engineered geniuses with silver hair and shining eyes. Aboard their ultramodern ship, Gideon learns the extent of the damage done. When they dive below the surface of the Atlantic, he looks out the window and sees not an idyllic scene of aquatic wonder such as childhood stories might have led me to expect but rather a horrifying expanse of brown water filled with human and animal waste, all of it endlessly roiled but never cleansed by the steady pulse of the offshore currents.Carr's future is suffused with regret. It's also rife with mystery and suspense; in every chapter the stakes are raised a little higher, the apocalypse hovers a little closer. This author is a master of the cliffhanger, of cryptic warnings that return to haunt our hero later in the text. Occasional flashes of humor relieve the prevailing ominousness, and a beautiful girl with a huge gun appears at regular intervals to keep things humming. Fans of Steve Erickson's end-of-the-world novels will likely enjoy this adventure in the Internet age, where the sheer amount of information has induced not quantitative changes in the human psyche, but qualitative ones. --Ellen Williams

Meet Dr. Gideon Wolfe, expert criminologist of the new millenium. A professor at New York's John Jay University in the year 2023, he lives in an era that has seen plague, a global economic crash, and the 2018 assassination of President Emily Forrester. In this turbulent new world order, Wolfe's life and everything he knows are turned upside down when the widow of a murdered special-effects wizard enters his office. The widow hands him a silver disc from her husband's safety deposit box, hoping that Wolfe's expertise in history and criminology will compel him to track down her husband's killers. The disc contains footage of President Forrester's assassination, the same video that has been broadcast countless times on TV and over the internet-with one crucial, shocking difference: This version shows that before the video was released, it was altered with sinister special effects. This explosive discovery will lead Gideon Wolfe on an electrifying journey from a criminal underworld of New York to the jungles of Africa and on a quest to find the truth in an age when all information can be manipulated. With this novel, Carr has boldly established a new genre-future history-combining the best elements of mystery and thrillers with unique historical insight. Breathtakingly suspenseful,Killing Time unfolds as the work of a master novelist.

The Lessons of Terror: A History of Warfare Against Civilians: Why It has Always Failed and Why It Will Fail Again

Although terrorism seems a relatively modern phenomenon, novelist and military historian Caleb Carr illustrates that it has been a constant of military history. In ancient times, warring armies raped and slaughtered civilians and gratuitously destroyed homes and cities; in the Middle Ages, evangelical Muslims and Christian crusaders spread their faiths by the sword; and in the early modern era, such celebrated kings as Louis XIV victimized noncombatants for political purposes.

During the Civil War Americans first engaged in "Total war," the most egregious of the many euphemisms for the tactics of terror. The forces of the South tried to systematize this horrifying practice; but it fell to a Union general, William Tecumseh Sherman, to achieve that dubious goal. Carr recounts Sherman's declaration of war on every man, woman, and child in the South -- a policy that brought long-term unrest tot he American South by giving birth to the Ku Klux Klan.

Carr's exploration of terror reveals its consistently self-defeating nature. Far from prompting submission, Carr argues, terrorism stiffens enemy resolve: for this reason above all, terrorism has never achieved -- not will it ever achieve -- long-term success, however physically destructive and psychologically debilitating it may become. With commanding authority and the storyteller's gift for which he is renowned, Caleb Carr provides a critical historical context for understanding terrorist acts today, arguing that terrorism will be eradicated only when it is perceived as a tactic that brings nothing save defeat to its agents.

El Alienista

Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.

Blurb in Spanish:

Nueva York, 1896. John Schuyler Moore, reportero de sucesos de The New York Times, recibe una convocatoria en plena madrugada. Su antiguo compañero de Harvard, el famoso psicólogo (o alienista) Laszlo Kreizler, le pide que se presente en el puente de Williamsburg, donde se ha producido un crimen horrible. El director de la policía encargará a Kreizler y al propio Moore que dirijan la investigación: una jugada muy atrevida, pues un alienista es considerado poco menos que un hechizero. El problema para ambos investigadores, es que no saben nada del criminal. Para llegar a él tendrán que trazar un perfil psicológico basándose en su capacidad de penetración mental...

The Italian Secretary (Large Print) (A Further Adventure of Sherlock Holmes)

Large print edition.