Common Sense 101: Lessons from G.K. Chesterton
by Dale Ahlquist
from Ignatius Press
Dale Ahlquist, the President of the American Chesterton Society, and author of G. K Chesterton -The Apostle of Common Sense, presents a book of wonderful insights on how to "look at the whole world through the eyes of Chesterton". Since, as he says, "Chesterton wrote about everything", there is an ocean of his material to benefit from GKC's insights on a kaleidoscope of many important topics. Chesterton wrote a hundred books on a variety of themes, thousands of essays for London newspapers, penned epic poetry, delighted in detective fiction, drew illustrations, and made everyone laugh by his keen humor. Everyone who knew Chesterton loved him, even those he debated with. His unique writing style that combines philosophy, spirituality, history, humor, and paradox have made him one of the most widely read authors of modern times. As Ahlquist shows in his engaging volume, this most quoted writer of the 20th century has much to share with us on topics covering politics, art, education, wonder, marriage, fads, poetry, faith, charity and much more.
The Man Who Was Thursday: A Nightmare (Modern Library Classics)
by G.K. Chesterton
from Modern Library
In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine." Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."
But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:
He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried
G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.
Widely considered as Chesterton's masterpiece, The Man Who Was Thursday (1908) defies classification. Subtitled 'A nightmare' by Chesterton, on one level it is a fast-moving and surreal detective story. Drawing on contemporary fears of anarchist conspiracies and bomb outrages, The Man Who Was Thursday is firmly rooted in its time and place - turn-of-the-century London - but it also defies temporal boundaries. Police Detective Syme finds himself drawn into a world that seems to have gone beyond humanity when he is elected 'Thursday', one of the members of the Central European Council of seven monarchs. Dreamlike, prophetic, and frequently funny, the novel attacks contemporary pessimism and, through a bizarre series of pursuits and unmaskings, returns Syme - and us - to earth more aware of its beauty, promise, and creative potential.
The Complete Father Brown Stories (Wordsworth Classics) (Wordsworth Collection)
by G. K. Chesterton
from Wordsworth Editions Ltd
Father Brown, one of the most quirkily genial and lovable characters to emerge from English detective fiction, first made his appearance in The Innocence of Father Brown in 1911. That first collection of stories established G.K. Chesterton's kindly cleric in the front rank of eccentric sleuths. This complete collection contains all the favourite Father Brown stories, showing a quiet wit and compassion that has endeared him to many, whilst solving his mysteries by a mixture of imagination and a sympathetic worldliness in a totally believable manner.
The Autobiography of G.K. Chesterton
by G. K. Chesterton
from Ignatius Press
Here is a special two-in-one book that is both by G.K. Chesterton and about Chesterton. This volume offers an irresistible opportunity to see who this remarkable man really was. Chesterton was one of the most stimulating and well-loved writers of the 20th century. His 100 books, and hundreds of essays and columns on a great variety of themes have made G.K. Chesterton the most widely quoted writers of modern times.
Here is Chesterton in his own words, in a book he preferred not to write, but did so near the end of his life after much insistence by friends and admirers. Critic Sydney Dark wrote after Chesterton died that perhaps the happiest thing that happened in Gilbert Chesterton's extraordinarily happy life was that his autobiography was finished a few weeks before his death. It is a stimulating, exciting, tremendously interesting book. It is a draught - indeed, several draughts one after the other - of human and literary champagne."
Full of Chesterton's wonderful and unique writing, humor, inspiration and humility, with some 40 rare photos, this book will be greatly desired by Chesterton fans, as well as by anyone interested in learning who this colorful and brilliant person was.
Heretics (Henderickson Christian Classics)
by G. K. Chesterton
from Hendrickson Publishers
This Nelson Royal Classic includes two famous classical works by G.K. Chesterton, Heretics and Orthodoxy. In response to the wrong doctrinal teaching of many of his contemporaries, G.K. Chesterton takes readers back to the "fundamentals" in Heretics. In the compelling work,Orthodoxy, Chesterton provides a look at what some have described as his own spiritual autobiography. Of these two books, they describe some of a Christian's core beliefs and capture the essence of the Christian experience. They remain an essential part of every Christian's library, and continue to challenge the way we conceive our faith and our world.
Gilbert Keith Chesterton was born in London, England on the 29th of May, 1874. Though he considered himself a mere rollicking journalist, he was actually a prolific and gifted writer in virtually every area of literature. A man of strong opinions and enormously talented at defending them, his exuberant personality nevertheless allowed him to maintain warm friendships with people - such as George Bernard Shaw and H.
The Man Who Was Thursday: A Nightmare
by G. K. Chesterton
from Penguin (Non-Classics)
Boys are mysterious creatures, with rich imaginations and inner lives at which most can only guess. Luckily, a few writers have the talent to capture their fantasies of extraordinary adventure and epic bravery. Inspired by the success of The Dangerous Book For Boys, the six titles of the Penguin Great Books For Boys collection celebrate the adventurer within every boy with tales of shipwreck, murder, espionage, and survival. With a striking series look that is nostalgic and, at the same time, completely modern, these Great Books For Boys are sure to appeal to boys young and old.
In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, Syme uses his new acquaintance to go undercover in Europe’s Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of “Thursday.”
When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies.
But he has still to face the greatest terror that the Council has–its leader: a man named Sunday, whose true nature is worse than Syme could ever have imagined…
The Man Who Was Thursday: A Nightmare (Annotated Edition)
by G. K. Chesterton
from Ignatius Press
This edition of Chesterton's masterpiece and most famous novel, The Man Who Was Thursday, explicates and enriches the complete text with extensive footnotes, together with an introductory essay on the metaphysical meaning of Chesterton's profound allegory. Martin Gardner sees the novel's anarchists as symbols of our God-given free will, and the mysterious Sunday as representing Nature, with its strange mixture of good and evil when considered as distinct from God, as a mask hiding the transcendental face of the creator. The book also includes a bibliography listing the novel's many earlier editions and stage dramatizations, as well as numerous illustrations that further illuminate the text. Illustrated
Favorite Father Brown Stories (Dover Thrift Editions)
by G. K. Chesterton
from Dover Publications
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