Rankin, Ian

Knots and Crosses (Inspector Rebus Novels)

Tooth and Nail (Inspector Rebus Novels)

Let It Bleed (Inspector Rebus Novels)

Hide and Seek (Inspector Rebus Novels)

Set in Darkness: An Inspector Rebus Novel (Inspector Rebus Novels)

Edinburgh police inspector John Rebus's obsession--rock & roll--seems odd for a man whose dark, depressed side is so central to his character, but Ian Rankin always manages to work it gracefully into his noirish novels featuring Rebus. In Set in Darkness, Rebus has a fling with Lorna Grieve, a faded rock muse who's the sister of Roddy Grieve, an up-and-coming politico who turns up dead on the grounds of the boarded-up hospital that's being torn down to make way for the new Scottish Parliament. Grieve's body is the second in the space of days found at Queensberry House; the first was a skeleton bricked up in the fireplace. That decades-old murder seems to be tied to the suicide of a mysterious homeless man whose hefty bank balance is revealed well before his true identity.

'So what's the story with Mr Supertramp anyway?'

'He had all this money he either couldn't spend or didn't want to. He took on a new identity. My theory is that he was hiding.'

'Maybe.' He was rifling through the scraps on the desk. She folded her arms, gave him a hard look which he failed to notice. He opened the bread bag and shook out the contents: disposable razor, a sliver of soap, toothbrush. 'An organized mind,' he said. 'Makes himself a wash bag. Doesn't like being dirty.'

'It's like he was acting the part,' she said.

Strip Jack

Black and Blue: An Inspector Rebus Mystery (Inspector Rebus Novels)

The Black Book

The Naming of the Dead (An Inspector Rebus)

The leaders of the free world descend on Scotland for an international conference, and every cop in the country is needed for front-line duty...except one. John Rebus's reputation precedes him, and his bosses don't want him anywhere near Presidents Bush and Putin, which explains why he's manning an abandoned police station when a call comes in. During a preconference dinner at Edinburgh Castle, a delegate has fallen to his death. Accident, suicide, or something altogether more sinister? And is it linked to a grisly find close to the site of the gathering? Are the world's most powerful men at risk from a killer? While the government and secret services attempt to hush the whole thing up, Rebus knows he has only seventy-two hours to find the answers.

The Hanging Garden (Inspector Rebus Novels)

Ian Rankin's ninth book about Inspector John Rebus of the Edinburgh police is so full of story that it seems about to explode into shapeless anarchy at any moment. What keeps it from doing so is Rankin's strong heart and even stronger writing skills. When a Bosnian prostitute refuses to testify against a crime boss who has threatened her family, he says this about the cops trying to pressure her: "Silence in the room. They were all looking at her. Four men, men with jobs, family ties, men with lives of their own. In the scheme of things, they seldom realised how well off they were. And now they realised something else: how helpless they were."

Rebus is trying to help the young woman--renamed Candice by the young, slick, brutal thug Tommy Telford, who is into everything from drugs and prostitution to aiding a Japanese business syndicate in acquiring a local golf course--because she's about the same age and physical aspect as his own daughter, Sammy. He's also conducting the investigation of a suspected Nazi war criminal, an old man who spends his time tending graves in Warriston cemetery. "A cemetery should have been about death, but Warriston didn't feel that way to Rebus. Much of it resembled a rambling park into which some statuary had been dropped," Rankin writes with the icy clarity of cold water over stone.

Add to this Rebus's involvement with an imprisoned crime boss in a plan to bring Telford down; his continuing battle with drink; the strong possibility that people high up in the British government don't want the old Nazi exposed; danger to Sammy and her journalist lover because of her father's work; and a somewhat strained metaphor of Edinburgh as a new Babylon and you have an admittedly large pot of stew. But Rankin's high art keeps it all bubbling and rich with flavor. Others in the Rebus series include his 1997 Edgar Award-nominated Black and Blue, as well as Hide and Seek, Knots and Crosses, Let It Bleed, Mortal Causes, Strip Jack, and Tooth and Nail. --Dick Adler