King, Stephen

The Stand: Expanded Edition: For the First Time Complete and Uncut (Signet)

In 1978, science fiction writer Spider Robinson wrote a scathing review of The Stand in which he exhorted his readers to grab strangers in bookstores and beg them not to buy it.

The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil.

"I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke."

There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book. --Fiona Webster

It's the end of the world...

as only Stephen king could imagine it.

Humanity has been all but wiped out by a lethal virus. But the survivors are divided by light and darkness, and must face a final battle that will decide the fate of more than their lives: their very souls...

The Dark Tower VII: The Dark Tower (King, Stephen)

At one point in this final book of the Dark Tower series, the character Stephen King (added to the plot in Song of Susannah) looks back at the preceding pages and says "when this last book is published, the readers are going to be just wild." And he's not kidding.

After a journey through seven books and over 20 years, King's Constant Readers finally have the conclusion they've been both eagerly awaiting and silently dreading. The tension in the Dark Tower series has built steadily from the beginning and, like in the best of King's novels, explodes into a violent, heart-tugging climax as Roland and his ka-tet finally near their goal. The body count in The Dark Tower is high. The gunslingers come out shooting and face a host of enemies, including low men, mutants, vampires, Roland's hideous quasi-offspring Mordred, and the fearsome Crimson King himself. King pushes the gross-out factor at times--Roland's lesson on tanning (no, not sun tanning) is brutal--but the magic of the series remains strong and readers will feel the pull of the Tower as strongly as ever as the story draws to a close. During this sentimental journey, King ties up loose ends left hanging from the 15 non-series novels and stories that are deeply entwined in the fabric of Mid-World through characters like Randall Flagg (The Stand and others) or Father Callahan ('Salem's Lot). When it finally arrives, the long awaited conclusion will leave King's myriad fans satisfied but wishing there were still more to come.

In King's memoir On Writing, he tells of an old woman who wrote him after reading the early books in the Dark Tower series. She was dying, she said, and didn't expect to see the end of Roland's quest. Could King tell her? Does he reach the Tower? Does he save it? Sadly, King said he did not know himself, that the story was creating itself as it went along. Wherever that woman is now (the clearing at the end of the path, perhaps?), let's hope she has a copy of The Dark Tower. Surely she would agree it's been worth the wait. --Benjamin Reese

All good things must come to end. Constant Listener, and not even Stephen King can write a story that goes on forever. The tale of Ronald Deschain's relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best.

Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors - in Thunderclap's Fedic Station; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and 61st with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters.

Thus the audiobook opens, like a door to the uttermost reaches of Stephen King's imagination. You've come this far. Come a little father. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome to The Dark Tower.

"All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain's relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best. Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap's Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where ""walk-ins"" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters. Thus the book opens, like a door to the uttermost reaches of Stephen King's imagination. You've come this far. Come a little farther. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome to The Dark Tower. "

The Eyes of the Dragon

A kingdom is in turmoil as the old king dies and his successor must do battle for the throne. Pitted against an evil wizard and a would-be rival, Prince Peter makes a daring escape and rallies the forces of Good to fight for what is rightfully his. This is a masterpiece of classic dragons-and-magic fantasy that only Stephen King could have written!

THE #1 NEW YORK TIMES BESTSELLER-THE PRELUDE TO THE CLASSIC DARK TOWER SERIES.

A tale of archetypal heroes and sweeping adventures, of dragons and princes and evil wizards, here is epic fantasy as only Stephen King could envision it.

The Girl Who Loved Tom Gordon

Trisha McFarland is a plucky 9-year-old hiking with her brother and mom, who is grimly determined to give the kids a good time on their weekends together. Trisha's mom is recently divorced, and her brother is feuding with her for moving from Boston to small-town Maine, where classmates razz him. Trisha steps off the trail for a pee and a respite from the bickering. And gets lost.

Trisha's odyssey succeeds on several levels. King renders her consciousness of increasing peril beautifully, from the "first minnowy flutter of disquiet" in her guts to her into-the-wild tumbles to her descent into hallucinations, the nicest being her beloved Red Sox baseball pitcher Tom Gordon, whose exploits she listens to on her Walkman. The nature writing is accurate, tense, and sometimes lyrical, from the maddening whine of the no-see-um mosquito to the profound obbligato of the "Subaudible" (Trisha's dad's term for nature's intimations of God). Our identification with Trisha deepens as we learn about her loved ones: Dad, a dreamboat whose beer habit could sink him; loving but stubborn Mom; Trisha's best pal, Pepsi Robichaud, vividly evoked by her colorful sayings ("Don't go all GIRLY on me, McFarland!"). The personal associations triggered by a full moon, the running monologue with which she stays sane--we who have been lost in woods will recognize these things.

In King's revealing Amazon.com interview, he said the one book he wishes he'd written was Lord of the Flies. When Trisha confronts a vision of buzzing horror in the middle of the woods, King creates his strongest echo yet of the central passage of Golding's novel. --Tim Appelo

With a convincing mix of youthful optimism and world-weary resignation, reader Anne Heche adds resonance to this unabridged recording. Heche is especially effective as the 9-year-old heroine, Trisha McFarland, who makes a fateful decision during an afternoon hike with her dysfunctional family. "The paths had forked in a 'Y.' She would simply walk across the gap and rejoin the main trail. Piece of cake. There was no chance of getting lost." As one might suspect, there is every chance she'll get lost--or worse--and taking the shortcut turns out to be a very bad choice indeed. At times Heche's reading may be too measured, but her narration is generally quite good and her steady portrayal of a young girl lost renders this tale all the more frightening. (Running time: 6.5 hours, 6 cassettes) --George Laney

On a six-mile hike on the Maine-New Hampshire branch of the Appalachian Trail, nine-year-old Trisha McFarland quickly tires of the constant bickering between her older brother, Pete, and her recently divorced mother. But when she wanders off by herself, and then tries to catch up by attempting a shortcut, she becomes lost in a wilderness maze full of peril and terror.

As night falls, Trisha has only her ingenuity as a defense against the elements, and only her courage and faith to withstand her mounting fears. For solace she tunes her Walkman to broadcasts of Boston Red Sox baseball games and follows the gritty performances of her hero, relief pitcher Tom Gordon. And when her radio's reception begins to fade, Trisha imagines that Tom Gordon is with her -- protecting her from an all-too-real enemy who has left a trail of slaughtered animals and mangled trees in the dense, dark woods....

Set in New England, The Girl Who Loved Tom Gordon is the gripping tale of nine-year-old Trisha, who wanders off the beaten path of the Appalachian Trail to escape the bickering of her family. When she tries to catch up to them, Trisha strays deeper into a wilderness which, in the hands of America's most frightening writer, becomes a place of primordial terror. Especially when night fails. Trisha has only her wits for navigation, only her ingenuity as a defense against the elements, only her courage and faith to withstand her mounting fear. For solace, she tunes her Walkman to broadcasts of Boston Red Sox games and the gritty performances of her hero, relief pitcher Tom Gordon. And when her radio's batteries die, Trisha begins to imagine that Tom Gordon is with her -- her key to surviving an enemy known only by the slaughtered animals and mangled trees it leaves in its wake. A classic story that engages our emotions at the most primal level, The Girl Who Loved Tom Gordon explores our deepest fears of the unknown and the extent to which faith can conquer them. It is a fairy tale grimmer than Grimm but aglow with a girl's indomitable spirit.

Blaze: A Novel

The last of the Richard Bachman novels, recently recovered and published for the first time. Stephen King's "dark half" may have saved the best for last.

A fellow named Richard Bachman wrote Blaze in 1973 on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but in late 2006 King found the original typescript of Blaze among his papers at the University of Maine's Fogler Library ("How did this get here?!"), and decided that with a little revision it ought to be published.

Blaze is the story of Clayton Blaisdell, Jr. -- of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs -- and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers. But then George is killed, and Blaze, though haunted by his partner, is on his own.

He becomes one of the most sympathetic criminals in all of literature. This is a crime story of surprising strength and sadness, with a suspenseful current sustained by the classic workings of fate and character -- as taut and riveting as Stephen King's The Girl Who Loved Tom Gordon.

Roadwork

#1 bestselling master of suspense...

They're tearing down Bart Dawes's home, leveling his memories, and destroying his past, all for a new highway extension. Funny what that kind of progress can do to a man. Scary, too.

The Shining

"YOU'RE THE CARETAKER, SIR. YOU'VE ALWAYS BEEN THE CARETAKER. I SHOULD KNOW, SIR. I'VE ALWAYS BEEN HERE...."

-- DELBERT GRADY OF THE OVERLOOK HOTEL

THE SHINING

First published in 1977, The Shining quickly became a benchmark in the literary career of Stephen King. This tale of a troubled man hired to care for a remote mountain resort over the winter, his loyal wife, and their uniquely gifted son slowly but steadily unfolds as secrets from the Overlook Hotel's past are revealed, and the hotel itself attempts to laim the very souls of the Torrence family. Adapted into a cinematic masterpiece of horror by legendaryStanley Kubrick -- featuring an unforgettable performance by a demonic Jack Nicholson --The Shining stands as a cultural icon of modern horror, a searing study of a family torn apart, and a nightmarish glimpse into the dark recesses of human weakness and dementia.

The Colorado Kid (Hard Case Crime)

"On an island off the coast of Maine, a man is found dead. There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself... "

The Tommyknockers (Signet)

Bobbi Anderson and the other good folks of Haven, Maine, have sold their souls to reap the rewards of the most deadly evil this side of hell.

The Running Man

Stephen King (writing as Richard Bachman) crafted The Running Man early in his career, though after such mega-hits as Carrie and The Shining. A bit of a departure from the supernatural horror that is most frequently associated with his work, the novel describes a science fiction dystopia where market capitalism and television game shows have spiraled out of control, and the separation between the haves and the have-nots has been formalized with separate currencies. King establishes characters quickly, creating sympathy in the first few pages for Ben Richards--whose 18-month-old baby girl is suffering from a horrible cough, perhaps pneumonia. Not able to afford medicine, Richards enters himself in the last-chance money-making scheme of the Free-Vee games. The games include Treadmill to Bucks, in which heart-attack prone contestants struggle to outlast a progressively demanding treadmill, or the accurately named Swim the Crocodiles. After a rigorous battery of physical and mental examinations, Richards is assigned "Elevator Six"--the path of a chosen few--that leads to The Running Man game. In this game, the stakes and the prizes are raised. Success means a life of luxury. Failure means death. Unfortunately, few ever win the game; in fact, as the producer tells Richards, in six years no one has survived.

The Running Man is a short book, tightly written to be read and enjoyed quickly. The future world it depicts is vividly captured with a few essential details. The action is also fast paced and, though the novel differs from much of King's other work, the sardonic social commentary reveals a pleasing glimmer of King's characteristically twisted sense of humor. --Patrick O'Kelley

The runaway bestseller about the ultimate reality show

The year is 2025. The Running Man is America's favorite television game show. Ben Richards is the program's latest contestant-and the Hunters' latest target in a rigged game of death...